October 6th kicked off the new season of "And NOW Monday Nights at Cellar..."
Paul Plimley led off the evening with a wonderful set of solo piano. Paul has developed into such a wonderful artist over the thirty years that I've known him. He's always been a strong technician and a soulful player, but his whole conception has come to a wonderful maturity that reflects his warmth, humour, chops and power as a person and as an artist. The program consisted of a number of compositions and improvisations, as might be expected from Paul. As you might expect too, the set only got better as he dug in and warmed to a receptive and appreciative house. I hope Paul will come back and play another evening next year.
The second set of the evening was eagerly anticipated, as I had never heard Tony do his thing in the solo format. Tony and I go back to the early 1990's when we played together in a number of projects (my band The Evolution and his Bug's Inside).
I was deeply touched by Tony's playing on this night. His technique which is seemingly always up for any task, is always used in the service of what he is trying to communicate. The evening started ever so gently with a beautiful melange of pieces by a number of different composers, himself included (often self-depracatingly "Untitled" pieces). Beautiful voicings, hard swinging grooves, interesting paths that take you to beautiful and truly unexpected moods and ideas. Tony always tends to be tremendously modest.
He is a beautiful and heartfelt improvisor. I hope he comes back and plays solo again.
I've included a few photos that Bill Gibson was generous enough to give me permission to use. The light was a little low in the Cellar, but maybe that conveys some of the intimacy that we experienced.







